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Temple of Aphaia : ウィキペディア英語版
Temple of Aphaea

The Temple of Aphaia ((ギリシア語:Ναός Αφαίας)) or Afea〔The name Afea appears on all the local signs, Afea being the name of a Cretan woman of unsurpassed beauty. After escaping an unwelcome marriage on Crete, she was rescued by a fisherman from Aegina. In payment for this he also proposed an unwelcome marriage. So Afea headed out of Aghia Marina towards the mountain top where she vanished at the current site of the temple, where it is said that the fisherman established a shrine believing Afea to have been taken by the gods.〕 is located within a sanctuary complex dedicated to the goddess Aphaia on the Greek island of Aigina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the great Doric temple is now recognized as dedicated to the mother-goddess Aphaia. It was a favorite of the neoclassical and romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.〔The main port and the main city are named ''Aigina'', after the island. The Temple of ''Aphaia'' is 9.6 km east of this city. The sanctuary is also 29.5 km southwest of the Acropolis of Athens, which is visible across the gulf on a clear day.〕
''Aphaia'' (Greek ) was a Greek goddess who was worshipped exclusively at this sanctuary. The extant temple of c. 500 BC was built over the remains of an earlier temple of c. 570 BC, which was destroyed by fire c. 510 BC. The elements of this destroyed temple were buried in the infill for the larger, flat terrace of the later temple, and are thus well preserved. Abundant traces of paint remain on many of these buried fragments. There may have been another temple in the 7th century BC, also located on the same site, but it is thought to have been much smaller and simpler in terms of both plan and execution. Significant quantities of Late Bronze Age figurines have been discovered at the site, including proportionally large numbers of female figurines (''kourotrophoi''), indicating – perhaps – that cult activity at the site was continuous from the 14th century BC, suggesting a Minoan connection for the cult.〔Pilafidis-Williams argues that the character and relative proportions of the finds leads to the conclusion that the deity worshiped was a female fertility/agricultural goddess.〕 The last temple is of an unusual plan and is also significant for its pedimental sculptures, which are thought to illustrate the change from Archaic to Early Classical technique. These sculptures are on display in the Glyptothek of Munich, with a number of fragments located in the museums at Aigina and on the site itself.〔The important Bronze Age archaeological site of Kolona is northwest of Aigina (the main city) along the coast, and a museum is located at this site. The museum at Aigina was the first institution of its kind in Greece, but most of the collection (other than a collection of bas relief panels from Delos) was transferred to Athens in 1834 (''EB''), where it can be seen in the National Archaeological Museum of Athens. The museum on the site contains a restoration of the Early Archaic temple entablature and pediment, as well as copies of elements of the pedimental sculpture of the Late Archaic temple set into restored sections of the pediment.〕
== Exploration and archaeology ==

The periegetic writer Pausanias briefly mentions the site in his writings of the 2nd century AD, but does not describe the sanctuary in detail as he does for many others.〔Description of Greece 2.30.3

On ''Aigina'' as one goes toward the mountain of Pan-Greek Zeus, the sanctuary of ''Aphaia'' comes up, for whom Pindar composed an ode at the behest of the Aeginetans. The Cretans say (the myths about her are native to Crete) that Euboulos was the son of Karmanor, who purified Apollo of the killing of the Python, and they say that Britomaris was the daughter of Zeus and Karme (the daughter of this Euboulos). She enjoyed races and hunts and was particularly dear to Artemis. While fleeing from Minos, who lusted after her, she cast herself into nets cast for a catch of fish. Artemis made her a goddess, and not only the Cretans but also the Aeginetans reverence her. The Aeginetans say that Britomaris showed herself to them on their island. Her epithet among the Aeginetans is ''Aphaia'', and it is ''Diktynna'' on Crete.


〕 The temple was made known in Western Europe by the publication of the ''Antiquities of Ionia'' (London, 1797). In 1811, the young English architect Charles Robert Cockerell, finishing his education on his academic Grand Tour, and Baron Otto Magnus von Stackelberg removed the fallen fragmentary pediment sculptures. On the recommendation of Baron Carl Haller von Hallerstein, who was also an architect and, moreover, a protégé of the art patron Crown Prince Ludwig of Bavaria, the marbles were shipped abroad and sold the following year to the Crown Prince, soon to be King Ludwig I of Bavaria. Minor excavations of the east ''peribolos'' wall were carried out in 1894 during reconstruction of the last temple.
Systematic excavations at the site were carried out in the 20th century by the German School in Athens, at first under the direction of Adolf Furtwängler. The area of the sanctuary was defined and studied during these excavations. The area under the last temple could not be excavated, however, because that would have harmed the temple. In addition, significant remains from the Bronze Age were detected in pockets in the rocky surface of the hill. From 1966 to 1979, an extensive second German excavation under Dieter Ohly was performed, leading to the discovery in 1969 of substantial remains of the older Archaic temple in the fill of the later terrace walls. Ernst-Ludwig Schwandner and Martha Ohly were also associated with this dig, which continued after the death of Dieter Ohly until 1988. Sufficient remains were recovered to allow a complete architectural reconstruction of the structure to be extrapolated; the remains of the entablature and pediment of one end of the older temple have been reconstructed in the on-site museum.

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